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Obscure Music History for Sleep | 1 Hour of Calm Stories
Settle in for an hour of calm, carefully researched stories from the stranger corners of music history.
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Settle in with our longer YouTube features, or keep moving through more than 230 researched stories about music, film, art, and the creative process.
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58:58Full-length on YouTube
Settle in for an hour of calm, carefully researched stories from the stranger corners of music history.
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4:37Full-length on YouTube
A closer look at the quiet terror, tenderness, and lasting emotional force of the 1978 animated classic.
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6:15Full-length on YouTube
How an industrial hometown, a damaged hand, and a darker sound helped create an entirely new musical language.
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5:27Full-length on YouTube
The unlikely story of the teenage multi-instrumentalist and the album that launched Virgin Records.
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4:44Full-length on YouTube
Inside the isolation, spectacle, and personal history that turned a concept album into rock theatre.
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4:33Full-length on YouTube
Why Queen's gloriously unusual film soundtrack remains one of the band's most fascinating detours.
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King Crimson captured most of “21st Century Schizoid Man” live in one take before Robert Fripp added a one-take solo.
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Genesis gave Phil Collins a solo lead vocal on “More Fool Me” in 1973, years before Peter Gabriel left the band.
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Devo dismantled the Rolling Stones' “Satisfaction,” then watched Mick Jagger stand up and dance to the result.
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Queen played a huge free concert at Hyde Park in 1976, but curfew and safety concerns stopped the band from returning for an encore.
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A journalist asked Deep Purple how they wrote songs, and the band's improvised answer became a “Machine Head” classic.
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MTV launched with the Buggles' “Video Killed the Radio Star,” turning its first broadcast into a perfect pop-culture prophecy.
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An organic stage pose became Jethro Tull frontman Ian Anderson's most recognizable image.
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Ronnie James Dio's doomed-wizard story meets Ritchie Blackmore, Cozy Powell, and members of the Munich Philharmonic.
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Gentle Giant switched roles across nearly thirty instruments while playing rearranged progressive rock onstage.
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John Bonham turned Led Zeppelin's “Moby Dick” into a live showcase, including sections performed without drumsticks.
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Black Sabbath made Ozzy Osbourne sound weightless by sending his vocal through a Leslie rotating speaker.
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Peter Gabriel revives a character introduced in 1978 and uses kintsugi to tell a story about rebuilding a broken self.
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Phil Collins listened from Peter Gabriel's family swimming pool while the other drummers played, so he knew the arrangements before his turn.
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Rush built the opening rhythm of “YYZ” from the Morse-code identifier broadcast by Toronto Pearson International Airport.
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A dispute over set time ended with Ritchie Blackmore smashing an ABC camera and an amplifier explosion blowing a hole in the stage.
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Russell Mael's frantic falsetto and Ron Mael's motionless stare helped turn Sparks' 1974 performance into a UK hit.
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An Alan Parsons Project instrumental found a second life as one of the most recognizable team introductions in sports.
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Pink Floyd's album cover used a real fire stunt to visualize getting burned in a business deal, and the fifteenth take became dangerous.
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Cold War fear, Ian Gillan's rising screams, Jon Lord's organ, and Ritchie Blackmore's guitar make the warning feel physical.
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King Crimson were almost unknown when they opened for the Rolling Stones at a huge free concert before their debut album was released.
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A last-minute addition to “Leftoverture” became Kansas's first US Top 40 hit and changed the band's future.
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Ludwig Göransson built the score from reconstructed Greek instruments, thirty-five bronze gongs, and modern synthesizers.
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Keith Emerson considered the famous Moog ending a practice run, but Greg Lake and Eddy Offord kept the take.
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Basquiat used crowns, SAMO language, jazz, Black history, anatomy, graffiti, and painting to claim visibility and power.
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Warhol turned soup cans, Marilyn Monroe, advertising, repetition, silk-screen printing, and celebrity culture into a new visual language.
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The 1964 performance turned audience participation, vulnerability, power, gender, and spectatorship into the artwork.
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Joe Walsh played a guitar exercise backstage. The Eagles heard the beginning of their next hit.
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A stalled recording session changed when John Bonham began playing the right beat for an entirely different idea.
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The Wilson sisters turned an insulting rumor and a galloping riff into a record that still bites.
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One performance of “Ball and Chain” turned a largely unknown singer into the face everyone remembered.
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At the Fillmore East, the Allman Brothers stretched one song until the live version became the standard.
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An unfamiliar band turned Woodstock into its public breakthrough with percussion, organ, guitar, and a teenage drummer.
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Prince entered a Beatles tribute surrounded by famous guitarists and left behind the performance people still argue about.